Janny Scott, THE BENEFICIARY

Janny Scott, THE BENEFICIARY

Janny: The Beneficiary is a family memoir spanning roughly three generations in my father's wealthy, aristocratic, Pennsylvania family. It's set almost entirely on a roughly eight-hundred acre, British-style country estate a half hour outside of Philadelphia, a place that has been compared to an American Downton Abbey sort of plucked from the pages of Henry James or Jane Austen and floated across the Atlantic and wedged in among the swimming pools of Updike and Cheever. It's also a kind of detective story, one child's attempt to understand a captivating but opaque parent and the family that produced them both. The question that drives that is how did the seemingly charmed life of my appealing, accomplished, but enigmatic father arrive at its self-destructive and perplexing end?

Ashley Prentice Norton, THE CHOCOLATE MONEY

Ashley Prentice Norton, THE CHOCOLATE MONEY

Ashley: This was my first book. People ask if it was autobiographical. I do have a really colorful mom. That's kind of what got it started. I guess at the time I didn't really have an active imagination. I think the tone in the book was very true, but there was a lot of "I'm seventeen" vibe to it, and one of my parents did me wrong. Now that I'm parent, I'm like, oh, my god, this is how I'm parenting. My mom, thank goodness, has, I think, forgiven me because people who don't know her thought every single word was true, which it wasn't.

Tara Schuster, BUY YOURSELF THE F*CKING LILLIES

Tara Schuster, BUY YOURSELF THE F*CKING LILLIES

Tara: By the time I was twenty-five, I was this mess, wreck, disaster of a person suffering from chronic anxiety and depression which felt really physical. This would've, I think, kept going on had I not hit rock bottom at twenty-five when I drunk-dialed my therapist on my twenty-fifth birthday threatening to hurt myself. That next morning I played back the voicemails that she had left me. When I heard the worry in her voice, the concern for my safety, I got really worried. I realized this is not a sustainable life. I'm not going to make it if I don't make some radical changes, but how do I move forward? I don't have any mentors to go to. I don't have parents I can ask. I don't even know how to change a vacuum cleaner filter, so how exactly am I supposed to change my life? I also kind of felt like I shouldn't feel this bad, that in a lot of ways I was privileged. I had gone to really good schools. My parents had gone into credit card debt to keep me in private schools. I had student loans, so I went to a really good college. I was always really good at work. That was where I shined, but I was just so bad at life. That next morning I decided it really didn't matter if I should or shouldn't feel this way. The only thing that was real was that I hated my life and wanted a new one. I wondered, what would happen if I reparented myself? What would happen if I became my own parents and I gave myself the nurturing I never had? What would that look like?

Dibs Baer, LADY TIGERS IN THE CONCRETE JUNGLE

Dibs Baer, LADY TIGERS IN THE CONCRETE JUNGLE

Dibs: [Lady Tigers] is about a guy named Chris Astacio who got his first job as a PE teacher at one of the most dangerous, poverty-stricken neighborhoods in America, really, in the South Bronx. When he got to the school, it was his first job, and he noticed the girls were going after each other in such a vicious, violent way. He had never seen anything like it. He was so shocked by it. He was like, how can I help the girls? There was no extracurriculars for the girls at the school. They didn't have the money for it. He decided just to start this softball team. The first tryout, four girls showed up. He said, "I don't care who it is. Bring all your friends back so we can have a team." The next day fifteen of the worst girls in school who all hated each other walked through the door. It was because they didn't want to go home and they didn't have anywhere to go. They couldn't go outside in the neighborhood. They just wanted to be in the gym. They didn't care about softball. They just showed up to hang out in the gym. It's about how he turned that group into a team of sisters, really. It's just this crazy year of him finding out all of them have an issue in their personal life. It was about him navigating that. They weren’t doing well in school, most of them. It's really not about softball, the book. It's really about girls coming together and learning how to be a team.

Casey Schwartz, ATTENTION: A LOVE STORY

Casey Schwartz, ATTENTION: A LOVE STORY

Casey: Totally. This book is highly personal for me. In a sense, it started when I went off to college around the year 2000 and a friend handed me a little blue pill called Adderall, which had only been on the market for about four years at that point. I wound up spending ten-plus years kind of addicted to this so-called attention pill thinking this pill is necessary for me to succeed and achieve and pay attention. It was only when I was about thirty that I was able to get off because I understood that it had had, ironically, the opposite effect for me. It had shattered my attention. It was in that period of time that I became kind of fascinated by attention itself. Then a couple years later, I had this thought one day. It was such an emotional thought. Why are we giving away our attention so casually? This was about 2015, well into when screens had invaded, but I think before we'd all gotten a little disillusioned with Silicon Valley. It felt like such a pointless thought to have. The fight was over. Silicon Valley had won. It was still the one thing I felt like it was worth devoting my time to do my next book on. It was the one thing that I felt that groundswell of emotion; thought, I could live with this subject for years.

Laura Prepon, YOU AND I, AS MOTHERS

Laura Prepon, YOU AND I, AS MOTHERS

Laura: For sure. Especially now with the self-isolation that's going on, community is more important than ever. I really hope that how I speak to that in the book will hopefully help inspire people to build that community even more through things like this, through our social media platforms, through FaceTime and Zoom and all these great platforms that we can use now to connect. It really is so important. My mom squad is, they're such an amazing support system for me. Because I want the book to speak to many different ages and types of women, my mom squad is women of all ages, background, ethnicities, professions because I wanted this book to relate to many different people. From the feedback, that's been coming across and helping a lot of people, so it's really exciting.

Megan Angelo, FOLLOWERS

Megan Angelo, FOLLOWERS

Megan: I came up with the idea for this sort of in pieces. I had been working in celebrity journalism and entertainment journalism for a really long time. I don't even think I realized how much color was accumulating in my head about how strange it is behind the scenes of a photoshoot or on the other side of the rope at the red carpet. What really launched me into the story was thinking about the future. I was writing in my journal one day. I write in cursive. I realized my kids would not be able to read it, definitely not my grandkids. I just sat with it because I thought, I'd love to write something that goes into the future, but I'm not a sci-fi person. I'm not a dystopia person. I'd love to do something that feels more grounded and stuff like that where your grandmother would be saying to you, "This is how it was in my day," and it would just be this strange thing that didn't exist in yours. Slowly over time, all of those pieces came together. Add in what was going on in the world when I started writing in late 2016, and you have Followers.

Therese Anne Fowler, A GOOD NEIGHBORHOOD

Therese Anne Fowler, A GOOD NEIGHBORHOOD

Therese: As everybody in the book world is aware because of the controversy that surrounded the publication of American Dirt, this is a fraught time for mainly white authors who are writing stories about people of color. This is not news. This didn't just start with American Dirt. It's something that has been ongoing. Because that's the case and because I knew I was taking on the possible subject of appropriation, was I going to be held to a different standard than, say, a person of color writing this story? I want to stress that I think that the standards are correct. People of color are, in most cases, right to be sensitive about the way that white authors have been, in some cases, appropriating their stories or just badly writing these stories and getting more attention than those people of color get for their books. All of that being the pool that we're swimming in right now made it so that I felt like I needed to address this head on in my author's note to help readers know that I'm mindful of those problems. I take them seriously. I wanted to make sure that I followed the advice that I got from Zadie Smith, which was to write about whatever you want about, but just make sure you do your homework. That's what that note is about.

Bess Kalb, NOBODY WILL TELL YOU THIS BUT ME

Bess Kalb, NOBODY WILL TELL YOU THIS BUT ME

Bess: This book is about my beloved grandmother. I was inspired to write it because she started telling me her life story from the time I was a baby. She passed away in 2017. In an effort to feel close to her again and to bring her back, I decided to tell her life story in her own words in her voice. For me, it was partially a grief-processing exercise and a cathartic way to reconnect to the woman that I loved so much. The real moment when I realized that maybe I am able to channel her in a way that is meaningful to the people who really knew her best was right after she died. I was given the task of delivering a eulogy at her funeral. I tried several different versions of speeches. I remember feeling really frustrated that they were just sort of platitudes. The way that we talk about death can feel almost trite sometimes because we stick to a script. We have a certain vocabulary in discussing the deceased. I found the way to be most authentic about it and the way to really honor her and really be true to her was to deliver the eulogy. I spoke about what she would think of her funeral in her voice to my family. It was such a sad day. The fact that she was a very, very old woman at her passing doesn't at all diminish the enormity of her loss and how very tragic it was. Everyone was upset. No one was coming in ready to laugh, of course. This is a funeral. I skipped mascara. By the end of eulogy, my family was wiping away laughter tears because I knew how my grandmother would've reacted to everybody coming out, having to get dressed, having to figure out what to wear, what to say. I just wise-cracked as her and threw this sort of family roast and brought her back to the people who needed her the most. I realized, wow, I do have her voice. I'm able to bring her back. Maybe there's a bigger literary project here. That's what the book is.

Katherine Schwarzenegger Pratt, THE GIFT OF FORGIVENESS

Zibby Owens: I'm doing a Skype today with Katherine Schwarzengger Pratt who is the best-selling author of The Gift of Forgiveness: Inspiring Stories from Those Who Have Overcome the Unforgivable. She's also the author of best seller Rock What You've Got, children's book Maverick and Me, and I Just Graduated ... Now What? She's an animal advocate who serves as an ambassador for Best Friends Animal Society and the ASPCA. According to her website, she calls herself a daughter, sister, wife, and stepmom. She currently lives in Los Angeles with her husband Chris Pratt, the actor, and their family.

 

Welcome, Katherine. Thanks so much for coming on "Moms Don't Have Time to Read Books."

 

Katherine Schwarzengger Pratt: Thank you. Thank you for having me.

 

Zibby: Would you mind telling listeners what your latest book, The Gift of Forgiveness, is about? The subtitle is Inspiring Stories from Those Who Have Overcome the Unforgivable, so I'm giving a little clue. [laughs]

 

Katherine: It's a collection of different interviews that I've done over the past two years with twenty-two really inspiring people who have practiced and struggled with forgiveness in different ways. The goal with it is really just to have people read the book and be inspired to practice forgiveness in their lives. When I personally was struggling with forgiveness, I found the most helpful advice to come from people's personal experiences with forgiveness and being able to apply their nuggets of wisdom to my own journey. I wanted to turn it into a book to get as many people helped in their forgiveness journey as possible.

 

Zibby: Tell me about what happened with your best friend. In the introduction, you talk about how some conflict you had with her is basically what inspired you to go on this quest for other people's ways of forgiving people. Can you say what happened?

 

Katherine: I had a falling out with a best friend that really triggered my interest in forgiveness and also my curiosity around what forgiveness meant to me at that point in my life and figuring out how I struggled with it, the role it would play in my life, and how to practice it for me personally. There have been a variety of different things in life in general that require forgiveness or bring up forgiveness. For me, I felt like that was the point at which I was struggling the most with it. I started wanting to go and find books or inspiration or seminars to kind of guide me through my forgiveness journey. I found talking to other people about their journeys was the most helpful.

 

Zibby: How did you select the twenty-two to include in the book? Did you interview way more people than this, but these are the ones you ended up with? You range from a victim of Larry Nassar's, to a man whose family was killed in a car accident, Elizabeth Smart, a mother of a Columbine -- it was all over the place. How did you find them? How did you choose?

 

Katherine: I wanted to come up with a really great list of people who I thought had a variety of different ways that they have struggled with forgiveness or practiced forgiveness because I think it speaks to how complicated the topic of forgiveness is for all of us and how all of us have such a unique relationship with forgiveness and a unique take on it and the role that it plays in our lives. I myself kind of put together an ideal list of people who had spoke about forgiveness or people who had been referred to me about their forgiveness journeys and haven't necessarily spoke about it on a public level before. I blindly reached out to a bunch of people. These twenty-two people all agreed to be a part of this project, really with the hope of sharing their story to help another person in their forgiveness journey. Because they all have a common desire and goal to be of help and of service to other people in their forgiveness journey, it made the book that much stronger and also allowed for us to end up with a book that had a really great variety of different forgiveness journeys. I was really excited about that.

 

Zibby: You mention in the book, this term conscious forgiveness. Let's say I'm struggling to forgive a friend or something. How can I practice conscious forgiveness?

 

Katherine: I think conscious forgiveness is really just the idea that you are opening your life and your heart to forgiveness. There are so many people that I have encountered along the way that are very closed off to the idea of forgiveness in their life and forgiveness with a specific person or a specific incident. I found that when you are even open to forgiveness in the first place is the first, best step towards being able to practice forgiveness. Even when we have moments of triggers in our lives that take us back to feeling sad or angry about a specific situation and about an incident that had happened that we thought that we had processed forgiveness with, I think it's important to be gentle with yourself in that process and to, again, have conscious forgiveness to bring you back to a place of living in a forgiveness mentality. That's really what I mean by conscious forgiveness and making the choice to live in a place of forgiveness.

 

Zibby: It's funny because sometimes when I think about forgiveness, it's what that will do for the other person. Forgiving actually has so many benefits just to yourself, which is something that you might not necessarily consider when debating whether or not to forgive someone. I don't know if people even have this consciously top of mind, like, will I or won't I forgive this person? How you shined the light on, in particular Chris Williams's essay when you say, "Holding onto anger is like keeping the wound fresh and open. You never give it a chance to heal," if you hold onto the pain, it's your loss as well. Tell me more about that.

 

Katherine: For me, I went into this book feeling just like that, that forgiveness was something that I was going to be giving to another person. That comes with a lot of really complicated feelings because you feel like if somebody just caused me harm or pain and I'm giving them a gift of forgiveness or I'm giving them something, then what is the purpose of that? Why would I do that? because they just inflicted pain upon me. It's a confusing thing. Then when I started doing this book and talked to a lot of the amazing people in this book, I was quickly told and explained to that forgiveness has nothing to do with giving another person anything. It is only about giving yourself a gift. That is the gift of forgiveness. I think when we're able to shift our mentality and allow ourselves to really understand what the role of forgiveness plays in our lives and see that it is a gift that we're actually only giving to ourselves, and while it might have a great ripple effect on people surrounding our lives, it's not a gift that you're giving to anyone but yourself. That is the gift of freedom. When I was able to kind of shift that mentality in my head, it really allowed for me to be able to welcome forgiveness into my life in a totally different way that felt much more empowering and much more like I was taking my power back and I was in control than me giving anybody any gift, per se.

 

Zibby: I love that. It's so important. I feel like especially with all of us now at home, we have all this extra time, perhaps, to reflect. What are my flawed relationships? What grudges am I keeping? Maybe there's some way -- it's nice. It's like shedding a layer of clothing, taking off all the baggage of the people you haven't forgiven, even for tiny slights as opposed to massive things like some of the ones in your book. I think your book is particularly useful at a time like now when we can sort of go inside more and think things through. Your gift of forgiveness is something you can actually give everybody right now, so it's perfect.

 

Katherine: It's actually interesting because when I came out with my book a couple weeks ago, it was just at the beginning of this whole coronavirus pandemic which has been really challenging for a huge amount of people. There are many people who are at home in quarantine and then of course a lot of people who are not able to be at home in quarantine and are working and are in hospitals and really on the front lines. I have nothing but respect for all of them. I think a lot of people who are at home and in quarantine and are having all of this time in solitude or time with their family or with whoever they're with, it's giving people a lot of time to reflect on ways that they can better themselves that we normally would never give ourselves in our fast-paced society. I think the silver lining there definitely is that we might be able to focus on things like forgiveness and who we might need to still forgive in our lives that normally, had we not been put in this quarantine or state of being locked in our house and not be able to do anything, we never would've really sat down and given ourselves the time to think about. I think that there is a little bit of beauty in that.

 

Zibby: Have you thought of anybody new you can forgive, or have you basically crossed everyone off your list in the process of writing this book?

 

Katherine: [laughs] I've definitely done a deep dive of forgiveness while writing this book, but I'm always excited to be able to talk to people and to grow and continue to learn when it comes to forgiveness, which I think is really important.

 

Zibby: I love how at the end of the book you even include a fill in your own letter to someone type of activity that you can do. You're totally empowering the reader to not just read the book, but then have an actionable response at the end, which I think is great because that's really what you are trying to -- I mean, I'm assuming that what you're trying to do, and you can speak to this, is trying to get other people to benefit the way you have, right?

 

Katherine: Yeah. One thing that I've really realized in my two, two and a half years of writing this book and working on this project is that when you bring up the word forgiveness with people, whether it's somebody that you know really well or someone that you don't know at all, when you talk about forgiveness, it's not something that, obviously, we're sitting around talking about frequently. Oftentimes, people go back to a specific incident that they need to work on or that's still troubling them or maybe they didn't know is still troubling them. It's been really interesting to me to see reactions from people where you say, "I'm working on a book on forgiveness," and people go back to somebody who bullied them in high school and it's been thirty years and they realize that they're still not over it, or someone that hurt their feelings five years ago or wronged them five years ago and they realize that they still are carrying that around and really want to let that go. It was important to me to be able to have that blank page section at the back of the book because after reading all of these people's stories, certain people's stories will resonate more with you than others. You will also be triggered to think about specific people or situations in your life. That might be helpful to have a place where you could write down their names, write someone specific a letter, or just kind of get your thoughts flowing when it comes to your forgiveness journey. It felt helpful to have that in there.

 

Zibby: I loved how you included Deborah Copaken's story. Deb was on my podcast. I adore her. We've become friends. Her essay about how -- not her essay. Your chapter about how she forgave her rapist from years before and reached out and wrote him a letter after so many years and how your point of that whole chapter is there's no time limit on forgiveness, so it doesn't have to be something that happened in the last couple years, but even something from your way back in the day can be beneficial to exhume and then address even now.

 

Katherine: I think it's really encouraging for people to be able to hear that someone like Deborah Copaken wrote her rapist a letter and was able to practice forgiveness thirty years later. When I had asked her that -- I said, "Do you wish you had done this sooner?" She was like, "No, I don't because I would not have been able to be ready for it or have welcomed it in my life any earlier than what I've been able to do now." A lot of us feel, I think, like I haven't been able to practice forgiveness with this person. It's been five years or ten years. Will I ever get there? To be able to see that there are people who are still struggling with it, people who get there after fifteen years, thirty years, whatever it is, or fifty years and it's still okay to do that, that, to me, was really encouraging because it showed that there is no time limit on your forgiveness journey. It's not about hurrying up and doing it the week that something happens or the day that something happens. You really do it in your own time.

 

Zibby: What should we do if there's someone who hasn’t forgiven us? Some of this is about control. I'm taking the control back on the incidents that have happened. By forgiving someone, it's essentially like I'm taking ownership of my part in this. I'm closing the loop on this incident because I've forgiven it. Now I've, in my head, put it to bed. It's lifted this load for me. But what if somebody hasn’t forgiven me? I'm trying to think of somebody who maybe hasn’t forgiven me. I have a couple things I'm stewing about in my head. [laughs] Aside from mailing them a copy of your book, what can we do?

 

Katherine: After you ask for someone else's forgiveness, it's really then about you practicing self-forgiveness, which is incredibly challenging. We talk a lot about that in the book because it is such a complicated topic. It's one that most of us struggle with throughout our entire lives. I think once you've asked someone for forgiveness, that's totally up to them and what they decide to do or how they decide to handle it. Then at the end of the day, you can't control another person. You really have to just focus on self-forgiveness. That is really the only place to go to after you've asked someone else and realize that it's not in your control any longer.

 

Zibby: At the end of the book you say, and I'm going to quote you, "I'm a different person today because of the stories in this book. And now that you've read it, perhaps you are too." How did the book change you? Here's my assignment. Try to answer this question without using the word forgiveness. [laughs]

 

Katherine: The book has changed me because it's shown me other people's experiences and other people's journeys that have broadened my view of a variety of different ways to live life, welcome certain things in your life, be closed off to certain things in your life, and how being open to certain acts of empowerment and power in yourself, self-power, it really focuses a huge amount -- I'm going to use the word forgiveness because that's what the book is about. It opens your view on how complicated the topic of forgiveness really is and also allows yourself to be really encouraged to be able to practice it in a variety of different ways. I think it shows you, and it showed me really, that all of these people were so willing to open up to me and be vulnerable and just express themselves and go really deep into their pain and heartache and experiences just to be able to give other people the gift of their journey and their experience with forgiveness. Writing this book showed me how much I had to learn when it came to forgiveness, how many types of ways there are to practice it and to not practice it and just struggle with it. Coming out with this book and talking to different people has really allowed me to see how needed the conversation around forgiveness really is. It's all been a really dramatically life-changing experience for me and has been really moving and emotional for me to be able to see people connect to the topic that this book is really about.

 

Zibby: I love that. That's amazing. Can you talk to your process of writing the book? How long did it take? Where did you like to write it? What was your process like?

 

Katherine: I tend to be most productive in the morning. I try to do a lot of my work early in the morning. I'm an early riser, so that helps me a lot. I would make myself structured hours. Whether it was working from eight to three or from seven to three, whenever I would be able to have structure in my life, that's really helped with the writing process because I think anybody that you talk to that’s a writer will tell you sometimes that not having structure in your day can make the whole process much more challenging. I do really well with structure. It helps to have that and to be held accountable. I would also try and have friends who are also writing, that we could all sit and write together. We would hold each other accountable for getting things done. When I would do the interviews with people, I was really just dependent on other people's schedules. Whether it doing an interview over the phone or going and meeting somebody and doing an interview in person, it was a really amazing experience and one where a lot of the time after an interview I needed to sit and digest the information and sit with all of these incredible stories and inspiring stories and see how they resonated and sat with me in my life. It was a great experience and a different one than my previous books. It was an eye-opening one, for sure.

 

Zibby: Do you have more books in you? Do you have any other projects on the horizon?

 

Katherine: I hope so. I'm really focusing on making sure that this book is my priority right now because I've worked on it for two and a half years. Anybody who's done a book will tell you that birthing a book is a really wild process and one that you put a huge of time and energy and work into. I want to make sure to not get off focus and go try and work on another book right away because it's really important to me to do these twenty-two people fair and be able to spread the message that they put in this book and talk about their stories and talk about this book in a really important way. I think it's really needed, especially right now even though we're all at home. That's my main focus right now. I definitely hope to do more books in my future.

 

Zibby: Do you have any advice to aspiring authors?

 

Katherine: I would tell them to work hard at it. If somebody doesn't believe in your idea or your desire to write something specific, keep trying because it only takes one person to say yes. Then also, there are a huge amount of people who are doing self-published books now anyway. I think it's a really exciting time for writers and for authors, and an empowering time as well.

 

Zibby: Thank you so much. I hope that my podcast can help a little bit in getting the message of your book out. I'll do my part because I think that the message of your book is really fantastic. The stories inside, like you said, they make you stop in your tracks and think about your life and what it means to love and forgive and really just interact with others. It's really a beautiful book, especially for now. I really thank you for writing it and bringing these stories to life and letting me help you usher it out there in the small way that I can.

 

Katherine: Awesome. Thank you so much. I appreciate it.

 

Zibby: Thanks a lot. Buh-bye.

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Stephanie Danler, STRAY: A MEMOIR

Stephanie Danler, STRAY: A MEMOIR

Stephanie: Stray is a memoir about the months when I returned home to California. I moved there from New York City. I had a reckoning with my past, with my parents, with my childhood in California. It is about being the child of addicts and the inheritance of damage. I think that so often when we look at the genetic factors of addiction, we're looking at a one-to-one ratio, which is, my mom's an alcoholic; therefore, I'm an alcoholic. While that wasn't my story, the period of time I'm writing about in Stray is when I realized that I had inherited a lot of their darkness and their recklessness and their propensity for self-harm even if I wasn't technically an alcoholic or a crystal meth addict. The book is about trying to move past that and give myself a different life or a possibility for a different life.

Dr. Madeline Levine, READY OR NOT

Dr. Madeline Levine, READY OR NOT

Madeline: I think we get stuck in what's happening in the moment being incredibly important. I can remember when my kids were young, every decision seemed like a big decision, select soccer or travelling soccer or local soccer or whatever. We get stuck in that in a way that our kids don't, necessarily. We'd go to a soccer game. There’d be a bad call. The kids would lose. Everybody would be really mad. Then we'd go out for pizza, and the kids were fine. The parents were still sitting at a table kind of bitching about the bad call. To the extent to which we can let go of things and stay ahead, it's helpful. Once you've learned what you needed to learn from something that didn't work, it's time just to move on. My favorite line, actually, is from Carol Dweck who is at Stanford who's known for mindset. She uses the word yet. A kid will say, "I'll never be good at that." She says, "Not yet." A kid will say, "I just can't get calculus," or whatever it is. "Well, not yet." I think that’s a good tonic for this idea that you get things quickly because you don't.

Kathleen West, MINOR DRAMAS & OTHER CATASTROPHES

Kathleen West, MINOR DRAMAS & OTHER CATASTROPHES

Kathleen: I have been a teacher for twenty years in Minneapolis, all at elite suburban schools and independent schools. I've thought a lot about parenting in my life. This scenario did not happen to me. However, my oldest son, who's a tenth grader now but was a sixth grader when I started writing this book, tried out for a musical called Ellis Island, which is the same musical in the novel. As he was trying out, I was very excited and wanted him to get a part. I definitely had to check my Julia Abbott impulses during that process. I thought, oh, I'll just go down and ask the drama teacher how that read-through went or see if he remembered his choreography. Every time, I was like, that would be a bad idea. That would be crossing a line. The day that the cast list came out for the sixth grade Ellis Island that my son had tried out for, my teaching neighbor asked me, "Are you going to go down and look at it and see if he was cast?" Once again, we laughed about this. It seemed like it might just be harmless, but we both knew that it would be crossing a line. Then we had a fun time imagining all the moms that would do it, would come into the school and push the kids aside and look at the list. That's what Julia Abbott does at the beginning of the book. That was the first scene that came to me for this novel.

Special Re-Release: Carla Naumburg, HOW TO STOP LOSING YOUR SH*T WITH YOUR KIDS

Special Re-Release: Carla Naumburg, HOW TO STOP LOSING YOUR SH*T WITH YOUR KIDS

Carla: I met a mom once who was like, “You know, I just decided to stop yelling at my kids, and I stopped.” What? Are we speaking the same language? Are you a human? If I turn you around and open the little door on your back, will I push buttons and there's little wires? I don't understand how that works. If I could've done that, I would've done that. That's what I call a coulda/woulda strategy. Willpower is like a muscle. When we use it too much or even at all, over time, it gets tired. By the end of the day, it basically doesn't work, which is why we stand in front of the fridge trying to decide what to eat and we end up eating chips for dinner. It even takes willpower to make a decision like, should I eat this or that? Should I get out of bed or should I hit the snooze alarm? All these little things we do during the day. Am I going to fight with my kid about the shoes or let them wear flip flops to school?

Special Re-Release: Courtney Maum, TOUCH

Special Re-Release: Courtney Maum, TOUCH

Courtney: The mother daughter relationship is another really key motor to this story. Her mom is the exact opposite of Sloane. She gives of herself readily, generously. She self-effaces a little bit. Sloane has a sister. Her sister’s about to have her third child. Her mother’s joy is taking care of other people. She went into overdrive when her husband died.

Eilene Zimmerman, SMACKED

Eilene Zimmerman, SMACKED

Eilene: From that and the shock of learning that it was not a heart attack from working too hard as I thought it was, that it was actually this infection from drug abuse and that he had been addicted for at least a year probably, I started to examine what happened in terms of what happened to him and how I missed it. I am a journalist. I'm used to asking questions. I'm a smart person. Yet I decided it was not that, whether consciously or unconsciously. I decided it was going to be everything else, bipolar disorder, a cognitive disorder. Maybe he was psychotic. Maybe he had an eating disorder instead of the very obvious thing; oh, he's a drug addict. He's struggling with a drug addiction is a better way to say it. The book grew out of that investigation and also looking at myself and my own culpability and what was happening to our family, the fallout -- we had two children -- and then an investigation a little bit into what's going on in the white-collar professional world that you know so well in terms of unhappiness, depression, anxiety, substance use, and substance abuse. It was a very sobering exploration for me. I ended the book sort of looking at what's coming for all of our kids in the next generation of white-collar professionals and societal leaders and judges and lawyers and things like that.

Gene Luen Yang, DRAGON HOOPS

Gene Luen Yang, DRAGON HOOPS

Gene: It's my first nonfiction graphic novel. I followed a high school basketball team. I used to be a high school teacher. I followed the varsity men's team of that school for a season, and the book is about that. It seems like when you have a group of people and they're all chasing after the same goal, that it kind of automatically bonds them even if they're from really different places, even if they're from really different backgrounds. It really bonds them. I saw that. I saw that with this particular team. Some of those players had played on varsity for a couple years already, so they were really good friends. Then there were other players. There's a kid named Alex Zhou who was an exchange student from China. He came here specifically because he was good at basketball. He wanted to experience what American basketball was like. This was his first year on varsity. I watched as the season went on. He slowly bonded with the other guys on the team. I think it's kind of neat to see that you can find common ground with people who might, at least on the surface, seem very different from you as long as you're all pursuing the same goal.

Patrice Karst, THE INVISIBLE STRING

Patrice Karst, THE INVISIBLE STRING

Patrice: No one could have been more surprised than I have been as to the trajectory and just the phenomena that happened with The Invisible String. I wrote it over twenty years ago originally because I was a single working mom. My son was four or five at the time. He would be really sad when I would take him to preschool. He had major separation anxiety. He would cry as I was leaving. Then I would cry. We were both a hot mess. Nothing seemed to work. Me just saying, "I'll be back. Have fun," none of that worked. One day I just told him what was really just obvious to me, but I told him how we would be connected all day long by this invisible string. If he missed me, all he needed to do was tug on it and I would feel it. If I missed him, I would tug on my end of the string and he would feel it. We were connected all day until we saw each other again at night. His eyes just got as big as saucers. He literally -- that was it. It was like, voilà, separation anxiety handled. He said, "Do we really have an invisible string, Mama?" "Yes, we do." That was it. From then on, every morning when I would bring him he'd say, "Mom, I'll be tugging on the string." When I picked him up, he'd say, "Mommy, did you feel me tugging on the string?" Then all his friends asked to hear the story. I told them all. I saw their reaction. I realized that I had something very special here because love is such an abstract idea.

Jen Gotch, THE UPSIDE OF BEING DOWN

Jen Gotch, THE UPSIDE OF BEING DOWN

Jen: The book itself was, I wanted to share my stories in the hopes that it would help people that are struggling with mental health issues feel less alone, also speak to entrepreneurs. I share a lot about building my brand, Ban.do, and then offer up some potential solutions along the way. Really, the intention was just to build self-awareness in the reader. I feel like after twenty years of therapy, I had some wisdom that I wanted to impart and to do it in a way that -- I feel like my approach is probably more lighthearted than most for a difficult subject matter but still in treating it with respect. I just wanted an accessible mental health memoir.

Janice Kaplan, THE GENIUS OF WOMEN

Janice Kaplan, THE GENIUS OF WOMEN

Janice: One of the wonderful women I interviewed, Meg Urry, who had been a NASA scientist and was hired away by Yale to be the first head of the physics department, she was telling me about a meeting she was at at Yale with a group of tenured professors. She started the meeting by asking them all to mention -- it was a group of women tenured professors -- by asking them to all say what they were an expert in. She said the meeting started and the first woman said, "Well, I wouldn't call myself an expert, but my field where I'm really good is..." Each woman did some version of that same comment. Meg said she was outraged. Being a tenured professor means you're an expert in a field. The currency of academia is expertise. Even in something as straightforward as this, women are afraid to say, "Yeah, I'm darn good at this." It's something that I learned as I was doing this book. I've always been self-deprecating. I've always thought it was a way to ingratiate yourself and to make people like you, to be a little bit self-deprecating. I'm not going to do that anymore.