Casey: Totally. This book is highly personal for me. In a sense, it started when I went off to college around the year 2000 and a friend handed me a little blue pill called Adderall, which had only been on the market for about four years at that point. I wound up spending ten-plus years kind of addicted to this so-called attention pill thinking this pill is necessary for me to succeed and achieve and pay attention. It was only when I was about thirty that I was able to get off because I understood that it had had, ironically, the opposite effect for me. It had shattered my attention. It was in that period of time that I became kind of fascinated by attention itself. Then a couple years later, I had this thought one day. It was such an emotional thought. Why are we giving away our attention so casually? This was about 2015, well into when screens had invaded, but I think before we'd all gotten a little disillusioned with Silicon Valley. It felt like such a pointless thought to have. The fight was over. Silicon Valley had won. It was still the one thing I felt like it was worth devoting my time to do my next book on. It was the one thing that I felt that groundswell of emotion; thought, I could live with this subject for years.
Katherine Schwarzenegger Pratt, THE GIFT OF FORGIVENESS
Zibby Owens: I'm doing a Skype today with Katherine Schwarzengger Pratt who is the best-selling author of The Gift of Forgiveness: Inspiring Stories from Those Who Have Overcome the Unforgivable. She's also the author of best seller Rock What You've Got, children's book Maverick and Me, and I Just Graduated ... Now What? She's an animal advocate who serves as an ambassador for Best Friends Animal Society and the ASPCA. According to her website, she calls herself a daughter, sister, wife, and stepmom. She currently lives in Los Angeles with her husband Chris Pratt, the actor, and their family.
Welcome, Katherine. Thanks so much for coming on "Moms Don't Have Time to Read Books."
Katherine Schwarzengger Pratt: Thank you. Thank you for having me.
Zibby: Would you mind telling listeners what your latest book, The Gift of Forgiveness, is about? The subtitle is Inspiring Stories from Those Who Have Overcome the Unforgivable, so I'm giving a little clue. [laughs]
Katherine: It's a collection of different interviews that I've done over the past two years with twenty-two really inspiring people who have practiced and struggled with forgiveness in different ways. The goal with it is really just to have people read the book and be inspired to practice forgiveness in their lives. When I personally was struggling with forgiveness, I found the most helpful advice to come from people's personal experiences with forgiveness and being able to apply their nuggets of wisdom to my own journey. I wanted to turn it into a book to get as many people helped in their forgiveness journey as possible.
Zibby: Tell me about what happened with your best friend. In the introduction, you talk about how some conflict you had with her is basically what inspired you to go on this quest for other people's ways of forgiving people. Can you say what happened?
Katherine: I had a falling out with a best friend that really triggered my interest in forgiveness and also my curiosity around what forgiveness meant to me at that point in my life and figuring out how I struggled with it, the role it would play in my life, and how to practice it for me personally. There have been a variety of different things in life in general that require forgiveness or bring up forgiveness. For me, I felt like that was the point at which I was struggling the most with it. I started wanting to go and find books or inspiration or seminars to kind of guide me through my forgiveness journey. I found talking to other people about their journeys was the most helpful.
Zibby: How did you select the twenty-two to include in the book? Did you interview way more people than this, but these are the ones you ended up with? You range from a victim of Larry Nassar's, to a man whose family was killed in a car accident, Elizabeth Smart, a mother of a Columbine -- it was all over the place. How did you find them? How did you choose?
Katherine: I wanted to come up with a really great list of people who I thought had a variety of different ways that they have struggled with forgiveness or practiced forgiveness because I think it speaks to how complicated the topic of forgiveness is for all of us and how all of us have such a unique relationship with forgiveness and a unique take on it and the role that it plays in our lives. I myself kind of put together an ideal list of people who had spoke about forgiveness or people who had been referred to me about their forgiveness journeys and haven't necessarily spoke about it on a public level before. I blindly reached out to a bunch of people. These twenty-two people all agreed to be a part of this project, really with the hope of sharing their story to help another person in their forgiveness journey. Because they all have a common desire and goal to be of help and of service to other people in their forgiveness journey, it made the book that much stronger and also allowed for us to end up with a book that had a really great variety of different forgiveness journeys. I was really excited about that.
Zibby: You mention in the book, this term conscious forgiveness. Let's say I'm struggling to forgive a friend or something. How can I practice conscious forgiveness?
Katherine: I think conscious forgiveness is really just the idea that you are opening your life and your heart to forgiveness. There are so many people that I have encountered along the way that are very closed off to the idea of forgiveness in their life and forgiveness with a specific person or a specific incident. I found that when you are even open to forgiveness in the first place is the first, best step towards being able to practice forgiveness. Even when we have moments of triggers in our lives that take us back to feeling sad or angry about a specific situation and about an incident that had happened that we thought that we had processed forgiveness with, I think it's important to be gentle with yourself in that process and to, again, have conscious forgiveness to bring you back to a place of living in a forgiveness mentality. That's really what I mean by conscious forgiveness and making the choice to live in a place of forgiveness.
Zibby: It's funny because sometimes when I think about forgiveness, it's what that will do for the other person. Forgiving actually has so many benefits just to yourself, which is something that you might not necessarily consider when debating whether or not to forgive someone. I don't know if people even have this consciously top of mind, like, will I or won't I forgive this person? How you shined the light on, in particular Chris Williams's essay when you say, "Holding onto anger is like keeping the wound fresh and open. You never give it a chance to heal," if you hold onto the pain, it's your loss as well. Tell me more about that.
Katherine: For me, I went into this book feeling just like that, that forgiveness was something that I was going to be giving to another person. That comes with a lot of really complicated feelings because you feel like if somebody just caused me harm or pain and I'm giving them a gift of forgiveness or I'm giving them something, then what is the purpose of that? Why would I do that? because they just inflicted pain upon me. It's a confusing thing. Then when I started doing this book and talked to a lot of the amazing people in this book, I was quickly told and explained to that forgiveness has nothing to do with giving another person anything. It is only about giving yourself a gift. That is the gift of forgiveness. I think when we're able to shift our mentality and allow ourselves to really understand what the role of forgiveness plays in our lives and see that it is a gift that we're actually only giving to ourselves, and while it might have a great ripple effect on people surrounding our lives, it's not a gift that you're giving to anyone but yourself. That is the gift of freedom. When I was able to kind of shift that mentality in my head, it really allowed for me to be able to welcome forgiveness into my life in a totally different way that felt much more empowering and much more like I was taking my power back and I was in control than me giving anybody any gift, per se.
Zibby: I love that. It's so important. I feel like especially with all of us now at home, we have all this extra time, perhaps, to reflect. What are my flawed relationships? What grudges am I keeping? Maybe there's some way -- it's nice. It's like shedding a layer of clothing, taking off all the baggage of the people you haven't forgiven, even for tiny slights as opposed to massive things like some of the ones in your book. I think your book is particularly useful at a time like now when we can sort of go inside more and think things through. Your gift of forgiveness is something you can actually give everybody right now, so it's perfect.
Katherine: It's actually interesting because when I came out with my book a couple weeks ago, it was just at the beginning of this whole coronavirus pandemic which has been really challenging for a huge amount of people. There are many people who are at home in quarantine and then of course a lot of people who are not able to be at home in quarantine and are working and are in hospitals and really on the front lines. I have nothing but respect for all of them. I think a lot of people who are at home and in quarantine and are having all of this time in solitude or time with their family or with whoever they're with, it's giving people a lot of time to reflect on ways that they can better themselves that we normally would never give ourselves in our fast-paced society. I think the silver lining there definitely is that we might be able to focus on things like forgiveness and who we might need to still forgive in our lives that normally, had we not been put in this quarantine or state of being locked in our house and not be able to do anything, we never would've really sat down and given ourselves the time to think about. I think that there is a little bit of beauty in that.
Zibby: Have you thought of anybody new you can forgive, or have you basically crossed everyone off your list in the process of writing this book?
Katherine: [laughs] I've definitely done a deep dive of forgiveness while writing this book, but I'm always excited to be able to talk to people and to grow and continue to learn when it comes to forgiveness, which I think is really important.
Zibby: I love how at the end of the book you even include a fill in your own letter to someone type of activity that you can do. You're totally empowering the reader to not just read the book, but then have an actionable response at the end, which I think is great because that's really what you are trying to -- I mean, I'm assuming that what you're trying to do, and you can speak to this, is trying to get other people to benefit the way you have, right?
Katherine: Yeah. One thing that I've really realized in my two, two and a half years of writing this book and working on this project is that when you bring up the word forgiveness with people, whether it's somebody that you know really well or someone that you don't know at all, when you talk about forgiveness, it's not something that, obviously, we're sitting around talking about frequently. Oftentimes, people go back to a specific incident that they need to work on or that's still troubling them or maybe they didn't know is still troubling them. It's been really interesting to me to see reactions from people where you say, "I'm working on a book on forgiveness," and people go back to somebody who bullied them in high school and it's been thirty years and they realize that they're still not over it, or someone that hurt their feelings five years ago or wronged them five years ago and they realize that they still are carrying that around and really want to let that go. It was important to me to be able to have that blank page section at the back of the book because after reading all of these people's stories, certain people's stories will resonate more with you than others. You will also be triggered to think about specific people or situations in your life. That might be helpful to have a place where you could write down their names, write someone specific a letter, or just kind of get your thoughts flowing when it comes to your forgiveness journey. It felt helpful to have that in there.
Zibby: I loved how you included Deborah Copaken's story. Deb was on my podcast. I adore her. We've become friends. Her essay about how -- not her essay. Your chapter about how she forgave her rapist from years before and reached out and wrote him a letter after so many years and how your point of that whole chapter is there's no time limit on forgiveness, so it doesn't have to be something that happened in the last couple years, but even something from your way back in the day can be beneficial to exhume and then address even now.
Katherine: I think it's really encouraging for people to be able to hear that someone like Deborah Copaken wrote her rapist a letter and was able to practice forgiveness thirty years later. When I had asked her that -- I said, "Do you wish you had done this sooner?" She was like, "No, I don't because I would not have been able to be ready for it or have welcomed it in my life any earlier than what I've been able to do now." A lot of us feel, I think, like I haven't been able to practice forgiveness with this person. It's been five years or ten years. Will I ever get there? To be able to see that there are people who are still struggling with it, people who get there after fifteen years, thirty years, whatever it is, or fifty years and it's still okay to do that, that, to me, was really encouraging because it showed that there is no time limit on your forgiveness journey. It's not about hurrying up and doing it the week that something happens or the day that something happens. You really do it in your own time.
Zibby: What should we do if there's someone who hasn’t forgiven us? Some of this is about control. I'm taking the control back on the incidents that have happened. By forgiving someone, it's essentially like I'm taking ownership of my part in this. I'm closing the loop on this incident because I've forgiven it. Now I've, in my head, put it to bed. It's lifted this load for me. But what if somebody hasn’t forgiven me? I'm trying to think of somebody who maybe hasn’t forgiven me. I have a couple things I'm stewing about in my head. [laughs] Aside from mailing them a copy of your book, what can we do?
Katherine: After you ask for someone else's forgiveness, it's really then about you practicing self-forgiveness, which is incredibly challenging. We talk a lot about that in the book because it is such a complicated topic. It's one that most of us struggle with throughout our entire lives. I think once you've asked someone for forgiveness, that's totally up to them and what they decide to do or how they decide to handle it. Then at the end of the day, you can't control another person. You really have to just focus on self-forgiveness. That is really the only place to go to after you've asked someone else and realize that it's not in your control any longer.
Zibby: At the end of the book you say, and I'm going to quote you, "I'm a different person today because of the stories in this book. And now that you've read it, perhaps you are too." How did the book change you? Here's my assignment. Try to answer this question without using the word forgiveness. [laughs]
Katherine: The book has changed me because it's shown me other people's experiences and other people's journeys that have broadened my view of a variety of different ways to live life, welcome certain things in your life, be closed off to certain things in your life, and how being open to certain acts of empowerment and power in yourself, self-power, it really focuses a huge amount -- I'm going to use the word forgiveness because that's what the book is about. It opens your view on how complicated the topic of forgiveness really is and also allows yourself to be really encouraged to be able to practice it in a variety of different ways. I think it shows you, and it showed me really, that all of these people were so willing to open up to me and be vulnerable and just express themselves and go really deep into their pain and heartache and experiences just to be able to give other people the gift of their journey and their experience with forgiveness. Writing this book showed me how much I had to learn when it came to forgiveness, how many types of ways there are to practice it and to not practice it and just struggle with it. Coming out with this book and talking to different people has really allowed me to see how needed the conversation around forgiveness really is. It's all been a really dramatically life-changing experience for me and has been really moving and emotional for me to be able to see people connect to the topic that this book is really about.
Zibby: I love that. That's amazing. Can you talk to your process of writing the book? How long did it take? Where did you like to write it? What was your process like?
Katherine: I tend to be most productive in the morning. I try to do a lot of my work early in the morning. I'm an early riser, so that helps me a lot. I would make myself structured hours. Whether it was working from eight to three or from seven to three, whenever I would be able to have structure in my life, that's really helped with the writing process because I think anybody that you talk to that’s a writer will tell you sometimes that not having structure in your day can make the whole process much more challenging. I do really well with structure. It helps to have that and to be held accountable. I would also try and have friends who are also writing, that we could all sit and write together. We would hold each other accountable for getting things done. When I would do the interviews with people, I was really just dependent on other people's schedules. Whether it doing an interview over the phone or going and meeting somebody and doing an interview in person, it was a really amazing experience and one where a lot of the time after an interview I needed to sit and digest the information and sit with all of these incredible stories and inspiring stories and see how they resonated and sat with me in my life. It was a great experience and a different one than my previous books. It was an eye-opening one, for sure.
Zibby: Do you have more books in you? Do you have any other projects on the horizon?
Katherine: I hope so. I'm really focusing on making sure that this book is my priority right now because I've worked on it for two and a half years. Anybody who's done a book will tell you that birthing a book is a really wild process and one that you put a huge of time and energy and work into. I want to make sure to not get off focus and go try and work on another book right away because it's really important to me to do these twenty-two people fair and be able to spread the message that they put in this book and talk about their stories and talk about this book in a really important way. I think it's really needed, especially right now even though we're all at home. That's my main focus right now. I definitely hope to do more books in my future.
Zibby: Do you have any advice to aspiring authors?
Katherine: I would tell them to work hard at it. If somebody doesn't believe in your idea or your desire to write something specific, keep trying because it only takes one person to say yes. Then also, there are a huge amount of people who are doing self-published books now anyway. I think it's a really exciting time for writers and for authors, and an empowering time as well.
Zibby: Thank you so much. I hope that my podcast can help a little bit in getting the message of your book out. I'll do my part because I think that the message of your book is really fantastic. The stories inside, like you said, they make you stop in your tracks and think about your life and what it means to love and forgive and really just interact with others. It's really a beautiful book, especially for now. I really thank you for writing it and bringing these stories to life and letting me help you usher it out there in the small way that I can.
Katherine: Awesome. Thank you so much. I appreciate it.
Zibby: Thanks a lot. Buh-bye.
Abby Sher, MISS YOU LOVE YOU HATE YOU BYE
Abby: This book is about a sixteen-year-old girl named Hank, short for Hannah Louise, and her best friend Zoe, who is self-destructing. Hank has to decide whether she can save her or if it's better to walk away. I've been toying with not saying this, but I didn't want to write this book. [laughs] This was like the last thing I wanted to write, but it kept on coming out. All my characters were kind of skirting the issue of an eating disorder and self-destruction. Then my daughter, about a year ago, came home one day and said, "I saw this thing on YouTube where people want to be skinny so they make themselves throw up." I just lost it. Then I knew that I had to write this book. I think that there's been a lot of books about the process of going through a disorder or an addiction, but not as many about being a friend watching it happen and not knowing what to do about it.
Alexandra Silber, WHITE HOT GRIEF PARADE
Alexandra: White Hot Grief Parade is a memoir about the six months around the death of my father when I was eighteen years old. Beyond that plot point, I tell it in a very up-to-the-moment blogger voice. I break all the rules, I think, of writing memoir. There's a maze. There's a word search. There's things that are written as plays as well as more traditional prose. I think that's the parade. It's that when you're in the middle of a grief storm, it feels like one thing after another is hitting you. I wanted the style of the book and the format of the book to reflect that bombastic experience. It really focuses on my relationship to father, obviously, my relationship to my extended family. The real stars of the book are my remarkable eighteen-year-old friends and my mother. This point at the crossroads of childhood and adulthood, what does one do when they're hit with this thing that every culture fears the most? It doesn't even matter what animal you are, actually. Every time period, every era, every socioeconomic class, every language spoken fears losing someone they love. Yet it's this thing that we don't talk about very often. We don't talk about it very well when we do talk about it. On top of all of that, there aren't a lot of resources for people in between childhood and adulthood. I wanted to make a point that young adults are remarkable. The big question of the book, I hope -- I don't necessarily address it directly, but I hope it emerges. What does it mean to stand back up? We hear so many books about how bad things are, chapters and chapters and chapters of describing the bad. Then you get this fast-forward moment where it's like, ten years later, here I am and I'm fine. But what happens in that fast-forward? What is it like to stand up? This book, hopefully, is an homage to that because it's very universal.
Sara Shepard, REPUTATION & PRETTY LITTLE LIARS
Sara: Just keep at it. Try to crash a Christmas party if you can. [laughter] Try to get in there how you can. I just think persistence. I have been rejected many times. Even as an author of many books, I will pitch ideas to editors and they will reject. You have to kind of get used to rejection because it's going to follow you through your life. Also, read as much as you can. Write as much as you can. Don't be afraid to show your work to people. For so many years, I was afraid to show anybody what I would write. A critique is a good thing. It helps you learn. Just keep at it. A lot of people ask, you're sitting down, and do you ever get writer's block? What is that like? To keep from writer's block, you just have to keep going. You have to keep writing. Even if it's bad, just get something out. Just type something. You can always fix it later. I have many, many days where what I write, I feel like, is terrible. Then I come back the next day and it's like, oh, well I did at least write five pages. That's something. I think a lot of people just sit down at the computer and think, my first sentence needs to be perfect. My next sentence needs to be perfect. They don't. They can be terrible. You just have to get something there. That's kind of how you build a book. It's not always fun. You just have to keep doing it.
Siena and Mark Siegel, TO DANCE
Siena: To Dance is a memoir. It's about a ten-year period of my life growing up as a young ballet lover who started taking ballet and then fell in love with ballet and wanted to just continue doing it as much as possible, and coming to New York to train at the School of American Ballet, and doing that at a very interesting and unusual time in the history of ballet where George Balanchine was still alive. He was still running the company that the school is associated with, the New York City Ballet. People were coming to New York from Soviet Union and defecting. It was all these amazing dancers arriving there at that particular moment in time. I was this little girl just swept up into it all and getting to dance with some of them in the same performances as a child at New York City Ballet.
Teresa Sorkin and Tullan Holmqvist, THE WOMAN IN THE PARK
Tullan: We're both very empathetic and can feel a lot and at this stage in your life when you have kids. This [character] Sarah Rock, she's married. She has two kids. The kids are getting a little bit older, time to move on in some ways. You find yourself looking at your own life. Who am I? What did I want to do? Where do I want to go? You're at a different stage in life. You're still the same person inside in some ways, but in other ways not. There was actually a woman that we used to see in the park that sparked our imagination, let's put it. That was the seed. She was always by herself.
Melissa T. Shultz, FROM MOM TO ME AGAIN
Melissa: The book is written for moms with kids in junior high and up. It’s really about the process of letting go and learning to move forward. There's lots of storytelling from me and other moms. There's interviews with professionals like therapists, researchers, and job counselors. It’s part memoir and part self-help. I talk a lot in the book about the ups and downs that are part of the journey and the areas of life that the journey touches on like friendships, marriage, careers. I wrote it because although I found lots of books that talked about life after the kids leave, I couldn't find any to help prepare me before they left. I turned to books as a resource. I had done that throughout my kids’ life so I could make better choices, more informed choice to understand their needs beyond what may come naturally to me.
Bettina Elias Siegel, KID FOOD
Bettina: The book was my attempt to explain in a little bit more detail what is going on in different contexts in children's lives, so everything from children's menus to what's going on in the school cafeteria to why is it that every adult seems to want to give your kid a treat at different times during the day for different reasons? I drill down into each one of those to educate parents. Then the ultimate goal of the book is really to empower parents. I'm trying to help them with any tools I can provide to navigate this very difficult food environment with their kid. Then on top of that, if they want to advocate, if they want to try to make it better, I also offer all kinds of advocacy tips and tools for that as well.
Cathleen Schine, THE GRAMMARIANS
Cathleen: Someone reminded of Ann Landers and Dear Abby who were identical twins and had a long, long feud. They each had warring advice columns. I first thought, no, I don't want to write about twins. It’s too difficult. I don't understand them. I'm not a twin. I don't even know any twins very well. Then once that idea got in my head, the twins kept at me. I thought, this is it. This is what I have to write about. Then … someone gave me a book called English as She is Spoke, which is a hilarious book that was a viral -- it was a sensation in the nineteenth century. Supposedly, it was a phrase book for Portuguese travelers in England. Every phrase was insane. It didn't make any sense. It became a comic sensation. Mark Twain wrote an introduction to it. It was so funny. It made me realize I could write about one of my passions, which is language and linguistics and words.
Susan Shapiro, THE BYLINE BIBLE
Susan: Pretty early on when I started, I got together with some friends for a writing group, people that I knew from NYU when I worked at The New Yorker as an editorial assistant. We all shared contacts. Within an amazingly short time, everybody was getting published. Everybody was helping each other. I thought, my friends and colleagues that are hoarding their contacts aren't getting anywhere. We were exploding. At that point, I decided I'm not going to be a hoarder. I'm going to share contacts because I thought that was good karma. It has been. Luckily, the classes are still filling up. People still want to write. The great thing is that there's a million more websites and webzines and different verticals of newspapers and magazines. There actually is probably more places that a beginner could start out, which is fantastic.
Tiffany Shlain, 24/6: THE POWER OF UNPLUGGING ONE DAY A WEEK
Tiffany: Our daughters love it. It’s our favorite day of the week. I feel more creative, more productive. I'm happier on those days. I laugh more. It’s this secret sauce. It’s this ancient tradition that has so much wisdom in it. I'm so excited to get these ideas out. It’s not something I tried for a couple years or a couple months or digital detox. It’s not that. It’s a whole different way to live, to have a real structure around your week and have a true day of rest and a true day where we have a big Shabbat meal -- we have a big meal every Friday night with family and friends. No one brings their screen. It’s very different to be with people without their phones. Then the next day is the most delicious day of my week that I look forward to all week.
Tui Sutherland, THE HIDDEN KINGDOM
Tui: I'd written a bunch of books before Wings of Fire, as you mentioned. A unifying theme of all of them is I really am interested in telling stories from different perspectives. When you read one book, you'll see the other characters. You'll find out more about them as you read their books. That was one thing that I was really interested in. I also really just love writing fantasy. I've always read fantasy. I find it one of the most fun genres to read. With Wings of Fire, it started with -- my agent and I were talking about all of my ideas for different projects. He said, “Have you ever thought about doing something that was focused on dragons” -- he knew that I loved dragons -- “with them as the heroes of the story?” I immediately got excited because it fit into those themes I'd been thinking about. All the books that I'd read, the humans were the heroes of the story. The dragon were there, but they were the sidekicks or the transportation or the bad guys. They never got to be the center hero. I thought wouldn't it be interesting to write a whole series where the dragons get to tell their own stories? I thought that would be really fun to do.
Will Schwalbe, THE END OF YOUR LIFE BOOK CLUB
Will: It’s a memoir. It is a memoir about living each day more purposefully and with more meaning as a tribute to those we've loved who aren't here to live anymore. I also wanted to inspire other people to do their own books for living, and put it forward as a way of understanding your life, and to remember your life through the books you read that gave you insight at the moments you needed the most, and to say to people, it can be any kind of a book. It can be a mystery novel. I write about The Girl on the Train. It can be a children’s book. I write about Stuart Little. It can be a cookbook. I write about A Taste of Country Cooking by Edna Lewis, whatever books they are, not just as a kind of log, but really about a way of conjuring your whole life. The way books, getting back to what we talked about earlier, connect to you to people, they connect you to people, also, who are no longer here. When you read a book that you know someone loved who's dead, it brings them back. When you read a book that you think a friend who's no longer here might have liked or a parent or sibling or whoever you've lost, it allows you to be in a kind of dialogue with them.
Amanda Salzhauer, THE KINDNESS ADVANTAGE
Amanda: [Kindness] is a way for us to connect with other people. Being kind gives us the space to be aware of what's going on for another person, what they might need, and through our actions, to connect with them. In addition, there are physiological reasons that kindness is important. I don't know if anybody's heard of this phenomenon called the helper’s high. If we do something kind for another person, it releases endorphins, the feel-good chemicals. It makes us feel good. It makes us want to do more acts of kindness for other people. Interestingly, if you even observe an act of kindness, you get that benefit as well. The idea that through acts of kindness we can all change our brain chemistry is pretty phenomenal.
Stephen A. Schwarzman, WHAT IT TAKES
Stephen: What It Takes is about what I've learned and would like to pass on to younger people, people working in organizations, people who start organizations, and people who run organizations so that they can do a better job, so they can be more successful, so that they can have fuller lives, and so the world can be a better place. That's why I wrote it. Being successful, it requires a lifetime learning model. I wanted to show people how to do that, and simple skills like how to take an interview. There are so many different things that are experience based where other people are doing them either for the first time, or not so well, or they're anxious about it. It’s a little bit of a how-to. It’s disguised a bit with the story of how I went through things like that. I managed to learn and figured out how to create a culture where people are happy, and productive, and don't leave, and are excellent at what they do.
Sheri Salata, THE BEAUTIFUL NO
Sheri: I had a front-row seat to all the most prolific wisdom-keepers of our time. I had the ride of my life. I found myself at fifty-six realizing that, with a rough, rocky start in my twenties, but by thirty-five I had finally manifested the beginnings of the career of my dreams. At fifty-six, the reckoning I had to do was that I hadn’t manifested the life of my dreams. One area, being someone else's something, someone's mother, someone's employee, someone's spouse or partner, that does not a full life make. I had to have a real moment with myself. I had to say, listen, I deserve to live the life of my dreams. Nobody knows more about making dreams come true than me.
Amanda Stern, LITTLE PANIC: Dispatches from an Anxious Life
Amanda Stern is the author of Little Panic: Dispatches from an Anxious Life, a memoir about her undiagnosed childhood panic disorder that takes place in New York City in the Etan Patz era. The subtitle, Dispatches from an Anxious Life, is only a small piece of the puzzle of how the course of Amanda's life was shaped. Listen and learn more about her compelling story.
Julie Satow, THE PLAZA
Julie: It’s the story of money, the story of wealth. In some ways, wealth has changed. Alfred Gwynne Vanderbilt was the first guest. He was one of the country’s wealthiest men. There were more than 1,600 chandeliers at The Plaza and two men whose only job was to dust the chandeliers. The opulence was just amazing. Now we
Brian Solis, LIFESCALE: HOW TO LIVE A MORE CREATIVE, PRODUCTIVE AND HAPPY LIFE
I found myself applying my parent’s definition of success, so university, great job, marriage, house, a lot of assets. The way that we’re sold stuff as becoming milestones for who we are and how we’re defined and how we’re perceived, that was my common definition of success. Then I realized that success and happiness and even creativity -- that's one of the reasons why creativity’s a pillar of this book -- were actually more intertwined. Success and happiness were linked in that happiness wasn’t tied to “When I have this,” or “When I do this,” or “When this happens, then I’ll be happy,” which is what -- I call it the happiness trap -- a lot of us can get caught up in.