Joanna: You know, no. I would say that I'm definitely an extrovert. I get so much joy from other people. I'm collaborative by nature, super social, but I have chosen this life of -- I was acting, but I always wrote my whole life. I've always written stories. I have chosen this life in which I'm alone a lot. It's very isolating work. I'm fascinated by my own choices because I do feel like I'm an extrovert and I do feel like I need that time totally alone with my own thoughts. So I don't know. My guess is that a lot of writers are like that. There's this image of the writer as an introvert and kind of socially awkward and not able to socialize. Surely, there are many introverted writers. I also feel like it's that contradiction. I certainly see it in other writers. I need both.
Malcolm Hansen, THEY COME IN ALL COLORS
Malcolm: I have a very quirky relationship with the whole -- I wasn't an early reader. My father, I felt, was a very heavy-handed father. Both his activism, his politics, and his ideas about schooling were things that I resisted, I think, by nature. I'm a very resistant person. I have to kind of come to certain realities on my own. Early on, I resisted them. Then sure enough, I came around. Then I began to see the light in its ways and then became quite a heavy reader. I always felt like I had something that I wanted to write, but I lacked the courage to do it. It took me going on a professional route after I graduated college and seeing the flesh and blood of what the realities of the professional life looked like, even for a business or a profession that was valued and supposed to be exciting and new. I'm referring to internet and software in the mid-nineties. I was very disillusioned with it and didn't find much meaning in it and figured that if I was going to be miserable, I may as well be miserable pursuing my dreams. I think that was the first step.
Sarah Hurwitz, HERE ALL ALONG
Sarah: Totally. So many of the trends in modern spirituality, we've been on that in Judaism for thousands of years. The first prayer that traditionally observant Jews say when they wake up in the morning, it starts "Modeh Ani," which is "Grateful am I." Literally, the first word you utter from your mouth is grateful. You basically sing a prayer that says, I am so grateful for my life. Gratitude journals are great. I'm so glad that people have joined the party, but we've been here for centuries, if not millennia. Meditation and mindfulness is great. There is a Jewish meditation tradition as well that goes back thousands of years. Just realizing so many Jews like me, citing myself, we kind of think, oh, Judaism, it's old and stale. It's not meaningful. We go to all these other traditions to find meaning, but we have it right here in Judaism.
Angela Himsel, A RIVER COULD BE A TREE
Angela: It's a memoir. It's about growing up. I'm the seventh of eleven kids. I grew up in Southern Indiana in what some people might consider a cult. Let's call it an alternative kind of religion. It was called the Worldwide Church of God. We believed that the world was coming to an end any second. We were going to be spirited away to Petra in Jordan when the world came to an end. I grew up that way. Through many twists and turns, I ultimately converted to Judaism. It's about that particular religious journey. I would hope that it's also about the possibly of change in any sense of the word.
Barbara Natterson-Horowitz, WILDHOOD
Barbara: I have an unusual background for somebody to be writing about animals. I spent over twenty years as a physician, as a cardiologist, a professor of medicine at UCLA. One day I got a call from one of the veterinarians at the Los Angeles Zoo who wanted me to come and image the hearts of some of their animal patients. It was actually a chimpanzee who they thought had had a stroke. That experience led to a request a few weeks later to image a gorilla’s aorta and then a few months later, the heart of a lion they thought had metastatic breast cancer, and so on and so forth. What happened over the course of several years is that even though I was spending ninety-eight percent of my time at UCLA at the human hospital taking care of human beings with heart attacks and high cholesterol, etc., I was also going to the zoo periodically and joining the vets on rounds where they were talking about heart failure in a kangaroo or metastatic melanoma in a rhino, and even behavioral problems. They were talking about dosing fluoxetine, which is Prozac effectively, for some of their animals who had compulsions and anxiety. I had this aha moment. It was really an aha moment. Here I had been a professor of medicine for twenty years taking care of very advanced cardiovascular disease. I'd been teaching medical students. I really had never thought much about the so-called human diseases in non-human animals. In other words, I thought about cancer and heart disease as diseases of civilization. Those are human. I just hadn’t really looked at it from a broader perspective.
Sheryl Haft, GOODIGHT BUBBALA
Sheryl: Goodnight Moon was written in 1947. It’s such a calm and beautiful book with the quiet old lady whispering “Hush.” I couldn't help but what wonder what that story would look like today. In particular, what would it look like with my family, my big, not-so-quiet Jewish family? That's when I realized I wanted to write a book where they would come bursting into this bedtime with singing and dancing with their Yiddish words and then of course with something to eat, a nash.
Jamie Hantman, HEELS IN THE ARENA
Jamie: I realized that we are supposed to speak out. We each have a unique thing to contribute to the world. I have these interesting stories, but it isn't just about telling the stories. I tried to write it in a way where my stories could be helpful to other people, to young women who may want to go into public service in some way. We’re in a time when people are incredibly interested in what's going on in our government. It’s exciting to see, Women’s March and the students’ March for Our Lives. There's so much passion. I wanted to provide a little bit of a guidebook for someone who may decide they want to take it to the next level providing the lessons that I learned and pieces of advice. A lot of it applies to DC. Some of it can apply no matter what you do.
Vashti Harrison, LITTLE LEGENDS
Vashti: It was Black History Month. I was looking for another way to challenge myself to do something in terms of my art and keep me going and keep me interested. All through elementary school, middle school, and high school, we would hear the same stories during Black History Month, so much so that it kind of felt like a chore. Here's the month where we read the same stories over and over again. I thought there's got to be more of a reason to celebrate this. I was looking at the history. When Carter G. Woodson founded Negro History Week in 1926, the sentiment was to celebrate the stories that have been long neglected throughout history. I thought, here's a great opportunity. Every day for this month I'm going to post a drawing of a black woman in American history because they sit at this crossroads of being doubly neglected throughout history. I started with Sojourner Truth who was someone I had known about as an abolitionist, as a figure, but hadn’t really considered her story as a person. I drew this little drawing. I wanted to create these simple figures that I could draw different outfits and clothes on and turn them into anybody, like an every-girl. I thought, this’ll be fun because I love drawing clothes. I love drawing hair. Also, here's an opportunity to learn about cool people.
Matt Hall, ODDS ON: THE MAKING OF AN EVIDENCE-BASED INVESTOR
Matt: Writing what, for me, is a very personal story, writing a memoir is not easy. I heard one of your other podcast guests at one point say that it doesn't feel lonely if you're creating a work of fiction because you're getting to know this village of people that you're creating. For me, going back through my own experience, you have these moments where you go, is this going to be relevant? Is this going to connect with people? I loved the process. Writing the book has been transformational. I really wanted to do a personal narrative that was aimed at sharing the important truths I have found about modern investing. I had experience watching my mentor write many books that didn't really connect. If you go to any big bookstore and you look in the business section, it’s littered with books that are all doing the same thing. I really wanted to do something different.
Lisa Heffernan and Mary Dell Harrington, GROWN AND FLOWN
Lisa: We wrote Grown and Flown: How to Support Your Teen, Stay Close as a Family, and Raise Independent Adults -- that's a mouthful -- for the same reason that we started the whole package. These are some of the most challenging, some of the most exciting, some of the most heartbreaking, and certainly some of the most consequential years of parenting. These are when kids are setting the direction for their lives. We still play a pretty big role in some of that decision-making, if nothing else, just being a sounding board for our kids.
Heather Hansen, THE ELEGANT WARRIOR
Heather: For twenty years, I've defended doctors and hospitals when they get sued. While it’s been a privilege and an honor, it’s also very stressful and hard in that trials are a zero-sum game. Someone wins. Someone loses. That means that sometimes it can get quite aggressive. I was finding that during those times of trial, I wanted to maintain who I was and be true to the choices that I've made about who I was, even when things get hard and were at the height of the conflict. I’ve found that some of the ways that I could do that in the courtroom also applied outside the courtroom. We are all our strongest advocates and the best person to protect and champion ourselves. If you can take the tools of a trial lawyer and apply them to life so that you can do those things, I think it would be helpful. I wrote the book to help people be able to do that.
Madeleine Henry, BREATHE IN, CASH OUT
Madeleine: With the publication of this book, I was afraid that some people would feel resentment toward me in some way that I'm writing about a world that they're still in. There's been a lot of support coming from my peers. I passed a couple of them on the street the other day. They said, “We’re so excited for you. We’re going to be at all the signings.” Every preorder matters. They're like, “We preordered it. What's my character’s name?” I realized that people want their stories told. It’s a big thing in life. You want to be heard. You want your experience shared. They feel like I'm representing the investment banking experience of our peers.
Nicola Harrison, MONTAUK
Nicola: That was the beginning of it, this idea of the locals and this loyalty. When my son was young on the weekends, you know how sometimes they don't nap and you put them in the car and you just drive around? I would drive around Montauk for so long up by the lighthouse, and down to the fishing village, and down by the beach, and up by the Montauk Manor. I started piecing something together in my mind.
Greer Hendricks & Sarah Pekkanen, AN ANONYMOUS GIRL
Sarah Pekkanen: I could never write this kind of book on my own, absolutely. It takes both of our brains. We do feel like our brains are one and one equals three. It’s not just our combined brains. We achieve more. I'm a writer, not a math major. I tried to explain that formula I just came up with. Better together. It all comes down to better together.
Gemma Hartley, FED UP: EMOTIONAL LABOR, WOMEN, AND THE WAY FORWARD
Gemma: There is a meeting point in the middle. When I say that I need to take a step back and let (my husband) do it, that doesn't mean that we don't have the same shared standard in what we want our life to look like and how we want things to run, how we want the house to look. We can agree on those things. He can get there a different way. Both men and women have to do the work to bridge that gap. There definitely were deeply held biases that I had. Even while writing the book and researching it, I still thought, “Maybe I'm just better at this stuff. It’s not hard wired, but I have that natural advantage,” which I don't think I do. If I'm logical about it, I know that’s not true.
Rebecca Schrag Hershberg, Ph.D., THE TANTRUM SURVIVAL GUIDE
Tantrums are normal. They're expected. They're happening at a time when little kids are figuring out who they are and how the world works and how relationships work and how feelings work. Most kids -- I'm going to say most because I would never say every single one -- most kids have tantrums because it’s part of a developmental trajectory that's healthy. I take objection when articles say, “Ten Quick Ways to Stop Tantrums Once and For All.” That's just not going to happen.
Gail Honeyman, ELEANOR OLIPHANT IS COMPLETELY FINE
Gail: It’s interesting to think about solitude and loneliness as two different things. Eleanor’s inclination is a solitary person. Solitude is something that people choose and enjoy. Lots of people like spending some time on their own and find that energizing and enjoyable. Loneliness is not something that you choose. It’s something that's imposed upon you.
Jon Henes, "Alzheimer's Disease: A Letter to My Mom"
Jon: Everybody had a similar story, but their own unique story. Writing it, it helped me cope. I was not reaching out to other people and talking about it. I wasn’t letting people know about it. Then when I wrote this and I got the response in terms of, “Hey, this is helping me,” then I thought maybe I’ll write a little bit more.